The renowned Bollywood director Sudhir Mishra's latest movie, Yeh Saali Zindagi, irk his stamp of quality cinema and was patronize by the select multiplex horde intellectual audience. Naturally the director of award winning movies like Chameli, Is Raat Ki Subah Nahin,Hazaron Khwaishein Aisi is on cloud nine these days and when the filmmaker was to talk about the latest expansion of vulgarity in the Indian film fraternity, Sudhir Mishra had a very simple answer to the problem which he has gone through, especially by the family and cream audience.


Sudhir Mishra mentioned that it's up to the audience that they should recoil from vulgar movies. The moment the audience stops watching and encouraging such flicks automatically the makers would stop producing them either. When inquired further as to how filmmakers can get over the bad habit of using offensiveness to attract in the audience, the director had a very intelligent respond. Sudhir Mishra also said that producers should make use of new and inventive techniques that are now easily available in the area of film making to make their product eye-catching to the audience and not resort to vulgarity and cheap dialogues and songs and dances in a way to make their film a hit.
Sudhir Mishra strongly feels that not only the audience but also the filmmakers who make such bold movies listen and eschew vulgarity and make cinema a pleasant and entertaining experience for all.
Sudhir Mishra made his directorial debut with the movie, “Yeh Woh Manzil To Nahin” that was released in 1987 which won the National Film Award for Best First Film of a Director. Khoya Khoya Chand, Traffic Signal, Jaane Bhi Do Yaaro, Mohan Joshi Hazir Ho, Khamosh, etc are some of his directed movies. In 1992, Sudhir Mishra was honoured with the National Film Award for Best Feature Film in Hindi: Dharavi in 1991.
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Sudhir Mishra made his directorial debut with the movie, “Yeh Woh Manzil To Nahin” that was released in 1987 which won the National Film Award for Best First Film of a Director. Khoya Khoya Chand, Traffic Signal, Jaane Bhi Do Yaaro, Mohan Joshi Hazir Ho, Khamosh, etc are some of his directed movies. In 1992, Sudhir Mishra was honoured with the National Film Award for Best Feature Film in Hindi: Dharavi in 1991.
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The director is contemplating to make a documentary on his life and work this year. Today, is the ninth death anniversary of the music composer, who penned the lyrics of several of Ghai's movies. Subhash Ghai said that Anand Bakshi is an inspiration to new talent and society. The two have shared a great bond both in their professional and personal lives, and have worked together on flicks like Yaadein, Pardes and Trimurti, etc. Born in Rawalpindi, Anand Bakshi was a perfect choice as a lyricist for many Bollywood directors, having penned down Dum Maaro Dum in Dev Anand's Hare Rama Hare Krishna. Anand Bakshi had also written lyrics for the first movies of stars like Shahrukh Khan, Akshay Kumar, Sunny Deol, Jackie Shroff and Rishi Kapoor among others. Anand Bakshi always wanted to be a singer and he fulfilled his desire by singing the duet 'Baaghon Mein Bahaar Aayi' along with Lata Mangeshkar in the 1972 Bollywood movie ‘Mom ki Gudiya’. 
Akshay Kumar is already shooting for Sajid in 'Housefull 2' directed by Sajid Khan, then Salman Khan will be seen doing Shirish Kunder's film. Also writer Chetan Bhagat’s latest novel ‘2 States’ is being made into a movie, and as reported the movie will have Shahrukh Khan in the male lead and Vishal Bhardwaj will be the head of the ship, now the news is not fake that it will be produced under Nadiadwala Grand Sons Banner. Sajid told that he cannot disclose the details on SRK and Hrithik's project at present. The team is actively working on them. News is also revolving that famous love story of 'Heer Ranjha' will be brought to the silver screen and Sajid Nadiadwala will be producing it. Directors and producers are running on their toes to find a very different and catchy title track for their film, director Sajid Khan has reportedly discharged the song from ‘Housefull 2’.