Saturday, March 26, 2011

Sudhir’s final words

For a long long time in Bollywood the limitation for the success of a movie was Platinum, Golden or even Silver jubilee. Later on, it became 100 days and finally 50-day too was maintained as a essential success globally. But then it changed considerably and all tagged down to a huge staring weekend and a reasonably good second weekend.

Sudhir Mishra
To understand the observable fact and the shift from the now superfluous erosion theory lets read on the views of the famous Bollywood filmmaker Sudhir Mishra. And regarding the matter he said that earlier there used to be a limited number of prints. But now-a-days due to piracy hazard makers go in for a huge number of prints. It is for this reason that movies do not get to a jubilee mark. He further added by asserting that taking the case of his own movie Yeh Saali Zindagi which was released it with 532 prints! Well, nothing more couldn't be agreed now and the day is not far when just the first weekend itself will decide the destiny of a film!
The most renowned filmmaker and scriptwriter of Bollywood movies like Chameli, Hazaaron Khwaishein Aisi and Dharavi, Sudhir Mishra hails from the city of Nawabs Lucknow. He moved to Mumbai in 1980, and started his career as assistant director and scriptwriter in Kundan Shah's comedy classic titled Jaane Bhi Do Yaaron which was released in 1983 and later on Sudhir worked with Saeed Akhtar Mirza in Mohan Joshi Hazir Ho! Released in 1984 and with Vidhu Vinod Chopra in 1985 titled movie Khamosh. Sudhir Mishra made his directorial debut with “Yeh Woh Manzil To Nahin” which hitted the silver screens in 1987 which won the National Film Award for Best First Film of a Director. He also made acclaimed flicks like Main Zinda Hoon released in 1988), and 1996 Is Raat Ki Subah Nahin amongst others.
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